Film grandiose !Sûrement l'un de mes préférés de cette vague de "films de Confinement / Covid-19" où les cinéastes se sont retrouvés cloîtrés chez eux et y ont tourné des courts, plus ou moins avec réussite. Ici l'exercice touche à la perfection et le résultat au merveilleux ! Entre permanence, immanence et déplacement, le film oscille, pulse comme les couleurs à l'écran pour dire la représentation d'un monde riche et complexe, fragile et beau, urbain et volatile...
Pour le reste, quelques mots sur le projet tirés du site de la réalisatrice :
NYC RGB is part of a series of works in which Schmid looks back to early color film processes. Using a special technique of color separation, the real temporal dimension is condensed within triple exposures. The film was sent through the camera 3 times to expose the material with a different filter on each pass. First red, green, then blue. This method borrows from historical color film processes and corresponds to the separation of color by the photoreceptors in the human eye. The temporally staggered images go beyond a human experience of time/ the human perception. What becomes visible in the color overlays, respectively in the repetitions and the resulting differences, celebrates the past moment in its uniqueness. Each moment has never been there before and will never return. The film was shot over a period of several months from the 20th floor of an apartment in New York City, where the artist lived in 2020 during the initial phase of the pandemic, and again in 2022. Musician Liew Niyomkarn composed a soundtrack from field recordings, recorded by Schmid during shooting the film, and synthesizer triads that are the acoustic counterpart to the RGB colors of the film.
Film grandiose !Sûrement l'un de mes préférés de cette vague de "films de Confinement / Covid-19" où les cinéastes se sont retrouvés cloîtrés chez eux et y ont tourné des courts, plus ou moins avec réussite. Ici l'exercice touche à la perfection et le résultat au merveilleux ! Entre permanence, immanence et déplacement, le film oscille, pulse comme les couleurs à l'écran pour dire la représentation d'un monde riche et complexe, fragile et beau, urbain et volatile...
Pour le reste, quelques mots sur le projet tirés du site de la réalisatrice :
NYC RGB is part of a series of works in which Schmid looks back to early color film processes. Using a special technique of color separation, the real temporal dimension is condensed within triple exposures. The film was sent through the camera 3 times to expose the material with a different filter on each pass. First red, green, then blue. This method borrows from historical color film processes and corresponds to the separation of color by the photoreceptors in the human eye. The temporally staggered images go beyond a human experience of time/ the human perception. What becomes visible in the color overlays, respectively in the repetitions and the resulting differences, celebrates the past moment in its uniqueness. Each moment has never been there before and will never return. The film was shot over a period of several months from the 20th floor of an apartment in New York City, where the artist lived in 2020 during the initial phase of the pandemic, and again in 2022. Musician Liew Niyomkarn composed a soundtrack from field recordings, recorded by Schmid during shooting the film, and synthesizer triads that are the acoustic counterpart to the RGB colors of the film.