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Films mentionnés et discutés dans l'ouvrage Film as a Subversive Art d'Amos Vogel.
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CONTENTS
The Film Experience
The World View of Subversive Cinema
PART ONE - Weapons of Subversion: The Subversion of Form
..... 1. The Revolutionary Film Avant-garde in Soviet Russia
..... 2. Aesthetic Rebels and Rebellious Clowns
.......... a. Expressionism: The Cinema of Unrest
.......... b. Surrealism: The Cinema of Shock
.......... c. Dada and Pop: Anti-Art?
.......... d. The Comic Tradition
..... 3. The Destruction of Time and Space
..... 4. The Destruction of Plot and Narrative
..... 5. The Assault on Montage
..... 6. The Triumph and Death of the Moving Camera
.......... a. The Camera Moves
.......... b. Minimal Cinema
..... 7. The Devaluation of Language
..... 8. Straining towards the Limits
.......... a. The Elimination of Reality
.......... b. The Subversion of Illusion
.......... c. The Elimination of the Image
.......... d. The Elimination of the Screen
.......... e. The Elimination of the Camera
.......... f. The Elimination of the Artist
PART TWO - Weapons of Subversion: The Subversion of Content
..... 1. Left and Revolutionary Cinema
.......... a. The West: Rebels, Maoists, and the New Godard
.......... b. Subversion in Eastern Europe: Aesopian Metaphors
.......... c. The Third World: A New Cinema
.......... d. East Germany: Against the West
..... 2. The Terrible Poetry of Nazi Cinema
..... 3. Secrets and Revelations
PART THREE - Weapons of Subversion: Forbidden Subjects of the Cinema
..... 1. The Power of the Visual Taboo
..... 2. The Attack on Puritanism: Nudity
..... 3. The End of Sexual Taboos: Erotic and Pornographic Cinema
..... 4. The End of Sexual Taboos: Homosexuality and Other Variants
..... 5. The First Mystery: Birth
..... 6. The Ultimate Secret: Death
.......... a. Death
.......... b. Concentration Camps
..... 7. The Attack on God: Blasphemy and Anti-Clericalism
..... 8. Trance and Witchcraft
PART FOUR - Towards a New Consciousness
..... 1. Counterculture and Avant-garde
..... 2. The Subversion of Subversion
..... 3. The Eternal Subversion
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Faces
Le Sang d'un poète
Je suis curieuse
L'éclipse
Week-end
L'incinérateur de cadavres
Meshes of the Afternoon
Le Triomphe de la Volonté
Un Chien Andalou
Le genou de Claire
L'année dernière à Marienbad
Jour de Colère
La Sorcellerie à travers les âges
Rashomon
Nos funérailles en rose
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Films manquants :
Vivre (Carlos Vilardebó, 1960)
Renaissance (Walerian Borowczyk, 1963)
Prune flat (Robert Whitman, 1965)
Muha (Vladimir Jutrisa, Aleksander Marks, 1966)
Strahov (1967)
Meditation on the End of Human Life (Jovan Kubícek, 1967)
Delaware (Newsreel Film Collective, 1968)
Chotyn - 5 Km (1968)
Eight Flags for 99 Cents (Charles Olin, 1970)
Facteur (Dariush Mehrjui, 1970)
Tales (Cassandra Gerstein, 1970)
The Race (William Copland, 1970)
Acupunctural Anaesthesia (1971)
The Casting (James Pasternal, 1971)
Hvorfor gør de det? (Eberhard Kronhausen, Phyllis Kronhausen, 1971)
What Goes On at Sex Therapy Clinics (1972)
Articles liés :
Amos Vogel: 1921 - 2012 : lien
An Eye for the Radical Perspective : lien
Amos Vogel: Life as a Subversive Art : lien
Film as a Subversive Art: Amos Vogel and Cinema 16 (Film, 2003) : lien
The Canon of Subversion: Amos Vogel and the films that assailed the art : lien